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2020-01期

呈貢花燈戲劇元素在現代飾品設計中的創新應用

單位:云南藝術學院      作者:譚美齡     來源:工業設計雜志     時間:2020-01-17

摘 要:眾所周知,花燈戲劇可以說是云南這片大地上最受廣大人民群眾歡迎的藝術形式之一,而云南花燈戲劇也構成了云南燦爛多彩的地域文化。呈貢花燈憑借其獨有的魅力和旺盛的生命力得以存活下來并流傳至今,在呈貢地區有著極為廣泛的群眾基礎。但是呈貢花燈戲劇大都取材于鄉村文化,且觀眾大多為中老年人,如何吸引現代的年輕人,更好的傳承與發揚這一戲劇文化,是當前迫切需要的。本文試圖探索呈貢花燈戲元素與現代年輕人更偏向的現代飾品相結合,將存在于舞臺上、視覺上的花燈戲劇實體化、飾品化,把花燈戲劇中的道具元素、色彩元素、舞臺效果提煉出來,融入到現代飾品當中去,更好的去展現呈貢花燈戲劇的魅力,讓花燈戲劇文化不斷煥發新的活力。

關鍵詞:呈貢;花燈戲劇元素;現代飾品;創新


中圖分類號:TB472 文獻標識碼:A

文章編碼:1672-7053(2020)01-0124-02


Abstract:As we all know, the lantern festival is one of the most popular art forms on the land of Yunnan, and the Yunnan lantern festival also constitutes Yunnan's splendid and colorful regional culture. The Chenggong lantern has survived and passed down by virtue of its unique charm and strong vitality, and has a very broad mass base in Chenggong area. However, most of the Chenggong lantern lanterns are based on rural culture, and most of the audience are middle-aged and elderly. How to attract modern young people, better inheritance and development of this drama culture, is the current product urgent need. This article attempts to explore the combination of the elements of Chenggong lantern show with the modern accessories that are more favored by modern young people, to materialize and decorate the lantern show that exists on the stage and visually, and to use the prop elements, color elements and stage effects in the lantern show. Refined, grafted into modern jewelry, to better show the charm of Chenggong lantern festival,  so that it continues to renew its vitality.

Key Words:Chenggong; Lantern drama elements; Modern jewelry; Innovation


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